Dance his arse offīeing exposed to this world of funk, soul and disco from such a young age, created the bedrock from which he would launch his career. A medal winning ballroom and freestyle disco dancer had him visiting many different clubs from a very young age, nothing a cheeky grin and one of his father’s oversized shirts couldn’t sort out! Carl would ‘ dance his arse off’ as he is fond of saying. Always being a curious and adventurous individual, with a fascination of how things work, led Carl deeper & deeper into the world of music. The first album Carl bought was by a band called Brass Construction in 1976, a 12 piece band that created a raw, funky and energetic sound that would later come to encapsulate his trademark sound. This infectious atmosphere captured his imagination and would later lay the groundwork for his momentous career. One of his earliest musical memories is witnessing ‘Get Up Off That Thang’ by James brown being played and seeing everyone up on their feet, laughing and enjoying themselves. Starting from a young age working as a mobile DJ and rising to the heights of Ibiza’s household name, with one of the longest and most successful residencies at Space, Ibiza is a true achievement! Cox has been described as ‘larger than life’ and ‘generous, passionate and a little bit mad!’ He has inspired many different people from all around the world with his vibrant charisma and has been at the epicenter of the dance music scene since its inception.Ĭarl Cox’s love and passion for music can be traced right back to his earliest years where he was heavily inspired by the funk & soul his dad would play. Carl’s journey from a young Lancashire lad to the globe-trotting, disc dropping extraordinaire he has become is filled with a myriad of incredible experiences and projects which his adventurous spirit has helped shape. Taking a spin-back through the formative years of Carl Cox and you quickly get an understanding of the man that became the legend. Article Words – Mike Mannix – Dax Malone We are rather quite proud to have the ‘boss’ gracing the front page of this issue, as he epitomizes the whole ethos behind ‘iconic underground’ in the literal sense, and has been an inspiration not only to us, but our readers and the whole dance music scene over 4 decades.
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They showed the solitude of a man alone in an empty field or on a crowded street, and the State buildings and Party memorials, ridiculously monumental, inhuman in their grandeur. Thus, my photographs often portrayed old age, which knows no politics. Within the limits of photography, I could contrast collective behavior with individual destiny. Given the dimensions of the political trap, could you express in photographs anything you felt? Which language would I choose? I was split, like a child who belongs to two different families studying in Polish at the university, but at home-my parents, even though Polish, were both Russian-born and -educated-all that mattered was Russian tradition and Russian literature. Of course, there were some other reasons for my apprehension about becoming a writer. That’s why I slowly moved toward visual expression: while officially studying social psychology, I became a professional photographer. 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